By Mona Hadler

within the early sixties, crowds accrued to monitor rites of destruction – from the demolition derby the place makeshift automobiles crashed into one another for game, to live shows the place musicians destroyed their tools, to performances of self-destructing machines staged via modern artists. Destruction, in either its playful and fearsome points, used to be ubiquitous within the new Atomic Age. This complex subjectivity used to be not only a manner for individuals to discover catharsis amid the fears of annihilation and postwar trauma, but in addition a fancy instantiation of ideological crisis—in a time with a few heavily conflicted political myths.

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Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture (International Library of Modern and Contemporary Art) by Mona Hadler


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