By AdrienneL. Childs

Compelling and troubling, colourful and darkish, black figures served because the critical snapshot of distinction in nineteenth-century eu artwork; the essays during this quantity additional the research of structures of blackness in this interval. This assortment marks a section within the scholarship on photos of blacks that strikes past undifferentiated binaries like ?negative? and ?positive? that fail to bare complexities, contradictions, and ambiguities. Essays that conceal the overdue eighteenth throughout the early 20th century discover the visuality of blackness in anti-slavery imagery, black ladies in Orientalist paintings, race and sweetness in fin-de-si?e images, the French model of blackface minstrelsy, and a suite of little-known pictures of an African version through Edvard Munch. despite the trouble of resurrecting black lives in nineteenth-century Europe, one essay chronicles the infrequent example of an American artist of colour in mid-nineteenth-century Europe. With analyses of works starting from G?cault's Raft of the Medusa, to photos of the yankee actor Ira Aldridge, this quantity presents new interpretations of nineteenth-century representations of blacks.

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Blacks and Blackness in European Art of the Long Nineteenth Century by AdrienneL. Childs

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