By Jessica L. Horton

In Art for an Undivided Earth Jessica L. Horton finds how the spatial philosophies underlying the yank Indian flow (AIM) have been refigured by means of a new release of artists trying to find new areas to face. Upending the idea that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others have been essentially fascinated by id politics, she joins them in remapping the coordinates of a generally shared yet deeply contested modernity that's outlined in nice half through the colonization of the Americas. She follows their installations, performances, and work around the ocean and again in time, as they retrace the trails of local diplomats, students, performers, and gadgets in Europe after 1492. alongside the best way, Horton intervenes in a number of theories approximately international modernisms, local American sovereignty, racial distinction, archival good judgment, creative itinerancy, and new materialisms. Writing in artistic discussion with modern artists, she builds an image of a spatially, temporally, and materially interconnected world—an undivided earth.

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Art for an Undivided Earth: The American Indian Movement Generation (Art History Publication Initiative) by Jessica L. Horton


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