By Chris Salter,Andrew Pickering

In Alien Agency, Chris Salter tells 3 tales of art within the making. Salter examines 3 works during which the fabrics of paintings -- the "stuff of the realm" -- behave and practice in methods past the creator's reason, turning into unknown, brilliant, alien. learning those works -- all 3 deeply embroiled in and enabled via technology and expertise -- permits him to target perform during the experiential and affective parts of construction. Drawing on broad ethnographic commentary and on his personal adventure as an artist, Salter investigates how researcher-creators set up the stipulations for those experimental, performative assemblages -- assemblages that stay away from dichotomies among topics and gadgets, human and nonhuman, brain and physique, figuring out and experiencing.Salter reviews at the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to catch after which venture ignored city sounds; tracks the multi-year undertaking TEMA (Tissue Engineered Muscle Actuators) on the paintings examine lab SymbioticA and its building of a hybrid "semi-living" desktop from in particular grown mouse muscle cells; and describes a research-creation undertaking (which he himself initiated) that makes use of mild, vibration, sound, scent, and different sensory stimuli to allow audiences to adventure different cultures' "ways of sensing." Combining idea, diary, background, and ethnography, Salter additionally explores a broader query: How do new issues emerge into the area and what do they do?

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Alien Agency: Experimental Encounters with Art in the Making (MIT Press) by Chris Salter,Andrew Pickering


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