100 Baddest Mother F*#!ers in Comics by Brent Frankenhoff

By Brent Frankenhoff

Meet the undesirable asses, the harsh men, the fellows you don't need to make mad. those are the blokes you'd are looking to have backing you up in a struggle. And those are the fellows who make undesirable a lot enjoyable. From hard-bitten heroes to vile villains - together with Wolverine, Batman, Luke Cage, Galactus, and extra - 100 Baddest Motherf*#!ers! promises the lowdown at the down low in a full-color, totally illustrated, butt-kicking format.

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55 Basically, what line weight does is it creates the illusion of lighting on paper, with stronger, darker lines on the areas that are supposed to be lit the least, while thinner, less detailed lines are used in areas that are in the presence of a stronger light sources. To illustrate this point, we turn our attention to our old friend Felix Fahrenheit to show examples of different lighting/line weight options:  Line weight can also represent the full mass of a character and can create the illusion of joints, slim spots, and thicker tones throughout by differentiating the actual weight and size of the lines used, even if it’s on a fluid surface: 56 Set the Action!

Line Weight in Dimensions Have you ever had an experience, either playing a game or watching a film, in which you felt that you were completely immersed in the action, to the point that you felt surrounded by it? Oh, and I’m not talking about a 3D-produced experience, where the immersion is artificial. I’m talking about those moments where everything feels like it’s a “life or death” situation and you can’t turn away or else you’ll miss the one second that’s going to flip everything you are watching way the heck over!

And, hey, if you want to see something else that's cool, draw a horizontal line from the top of the figure's head as well as the bottom, and also the same extremities used to line up the mannequin army to the horizon. Now, shooting different lines from the vanishing point (still using the same level for floor and head, but now at a different angle), you can create mutiple versions of "box dude," each one with figures extending all the way to the background: All these examples and layouts extend from one key point: that first boxed figure drawn on the plane.

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